The Boulder 1060 Stereo amplifier won Product of the Year 2005 Award from Ultra Audio, the 1050 Mono's are the bigger brother to the 1060 stereo amplifier, in effect the best just got better, we hav'nt found any speakers or amplifiers that match the Boulders stunning abilities, except its big brother of course.


Boulder amplifiers have immense power reserves, terrific dynamics, and yet are sweet sounding and delicate. The Boulder 1050's partner amazingly well with any loudspeaker regardless of load difficulty and music flows into the room like a summer breeze, they just never seem to be working hard, ever!

BOULDER 1050
Grand Prix 2003 (Issue no. 149)

The annual component of the year Grand Prix award from Stereo Sound of Japan

BOULDER 1050 MONO'S DETAILS

Only Boulder has the rare combination of technical and creative skills required to design this visually stunning and most musical power amplifier.

The output stage uses fifty-six output transistors and forty-eight power supply capacitors per chassis to assure stable, high power output into any load while maintaining detail and clarity unusual for these high power levels.

The precision, elegant chassis features interlocking parts for audible dampening and mechanical rigidity. The heatsinks are machined from solid aluminum, providing both optimum heat dissipation and large instantaneous peak power without distortion. Feet use special constrained layer vibration dampening.

The heritage of Boulder's nearly 20 years of experience in amplifier design is evident in every aspect of the Boulder 1050 Mono Power Amplifier.

Boulder2050 Mono block AmplifierFor those Masters of the Universe, my advice would be to go for Boulder hook, line, and sinker. Taken as a system, the three elements that make up the 2000 Series are about as perfect as they come." - Stereophile Jonathan Scull	Zanden 9500 Mono-block Amplifier"What is most impressive, an extension of separation these amps achieve, is the extent to which each instrument or voice maintains its individual energy level and harmonic identity, irrespective of the intensity or level of the whole." Roy Gregory, Issue 43 HiFi +