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German Physics -
PQS 201 MKII


As all German-Physiks speakers, the PQS-201 is a musical instrument that gives its owner pleasure even after many years of use.

As with all German-Physiks speakers, the focal point here is our unique DDD converter, the only all-round shining bending-wave full-scale converter in the world.

The ability of the PQS 201 MKII driver is in its transient speed of attack and the fact that there are no crossover distortions in that all important vocal range. German Physiks have done a superb job of matching in a bass section to the lightningly fast response of the DDD Driver.

The result is a very dynamic, dry and extremely controlled presentation that never suffers from a bloated bass section.

 

Also Available in the German Physics range of Stunning wood veneers.

veneers

 PQS201


Boulder 2008 Phono Pre In introducing the 2008 Phono Preamplifier, Boulder sets a new standard for vinyl reproduction of any vintage. It provides ultimate convenience and versatility for the dedicated record lover.

The 2008 is equipped with inputs for three turntables. In addition to the standard RIAA, two optional equalization curves are available selectable from the front panel.

Boulder 2010 Isolated Balanced Pre The challenge of creating a truly neutral, remote controlled preamplifier has been achieved in the Boulder 2010. Luxurious in sight, touch and sound, the 2010 delivers the highest level of satisfaction.

Luxurious in sight, touch and sound, the 2010 delivers the highest level of satisfaction. The gain stages are built entirely of discrete components. The original 990 series was developed in the best recording studios and used in the earliest Boulder power amplifiers.

Kharma Exquisite Reference 1d/1aFor many years the Exquisite Reference has been Kharma's flagship, and the reference speaker for many a audiophile. Until the development of the Grand it has been the ultra-high-end product of Kharma. 

Continuum Audio Labs Caliburn & Cobra "The Caliburn-Cobra excelled at every aspect of vinyl reproduction. As the noise floor dropped lower than I had ever imagined possible, it dug new low-level information out of most records I played. I was constantly being surprised by musical information buried in the mix I’d never before heard. - Michael Fremmer Stereophile

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