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German Physiks -
PQS 202 MKII


As all German-Physiks speakers, the PQS-202 is a musical instrument that gives its owner pleasure even after many years of use.

As with all German-Physiks speakers, the focal point here is our unique DDD converter, the only all-round shining bending-wave full-scale converter in the world.

The ability of the PQS 202 MKII driver is in its transient speed of attack and the fact that there are no crossover distortions in that all important vocal range. German Physiks have done a superb job of matching in a bass section to the lightningly fast response of the DDD Driver.

The result is a very dynamic, dry and extremely controlled presentation that never suffers from a bloated bass section.

 

Available Finishes

Seen here in the Carbon finish the PQS 202 MK II is also Available in the German Physics range of Stunning wood veneers.

 

 PQS201


veneers

The Carbon MKIII  So building on German Physiks first flagship and still one of the most musically accurate speakers available, you get the proverbial cherry on top.

Driven to improve upon an already fantastic product we have reached the heady heights of the MK III and what a sonic blast it is. German Physiks have replaced the old 2 push pull bass design with open cabinet. The new design has 1 larger bass driver in a sealed cabinet. The crossover is also improved.

Acapella Triolon Excalibur"Paul Messenger was on hand for a demonstration of Acapella's top-of-the-line Triolon Excalibur loudspeakers. After the impressive demonstration, Paul exclaimed, "That actually sounds like a real piano!" And that, of course, is what it's all about."

German Physiks The Loreley MKIII Completely effortless, that’s the best way I can describe the sound of the new Loreley, Startling dynamics cymbals crash and shimmer with such lifelike finesse, whilst betraying no character of its own. The Loreley is truly neutral and just lets the music pour forth uninhibited. Close your eyes and you can hear every nuance of the recorded venue, pages being turned in the orchestra pit, or a guitarist tapping his feet while playing. Not so much a soundstage as the actual stage being reproduced.


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