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German Physiks -
PQS 402


As all German-Physiks speakers, the PQS-402 is a musical instrument that gives its owner pleasure even after many years of use.

As with all German-Physiks speakers, the focal point here is our unique DDD converter, the only all-round shining bending-wave full-scale converter in the world.

The ability of the PQS 402 MKII driver is in its transient speed of attack and the fact that there are no crossover distortions in that all important vocal range. The PQS 402 is open, airy, electrostatic-like while lacking the resonances that electrostatics typically exhibit. German Physiks have done a superb job of matching in a bass section to the lightningly fast response of the DDD Driver.

As might be surmised by the look of the PQS 402 there is no shortage in the bass department. It starts and stops as fast as the best drumkit's I've ever heard with a kick you can feel.

 

Also Available in the German Physics range of Stunning wood veneers.

 
veneers

Kharma Exquisite Midi 1A "From bottommost bass to topmost treble, from stage rear to stage front, from stage right to left, from stage bottom to top, from ppppto ffff, this system (powered by Lamm and sourced by Walker Audio and Shelter) is the most transparently detailed, tonally accurate, small- and large-scale dynamic, super-soundstaging stereo JV has heard. Plus, their smallish size and handsome looks means the Midis will fit in just about any room." Review by jonathan Vain AbsoluteSound Issue 151

Acapella Triolon Excalibur"Paul Messenger was on hand for a demonstration of Acapella's top-of-the-line Triolon Excalibur loudspeakers. After the impressive demonstration, Paul exclaimed, "That actually sounds like a real piano!" And that, of course, is what it's all about."

German Physiks The Loreley MKIII Completely effortless, that’s the best way I can describe the sound of the new Loreley, Startling dynamics cymbals crash and shimmer with such lifelike finesse, whilst betraying no character of its own. The Loreley is truly neutral and just lets the music pour forth uninhibited. Close your eyes and you can hear every nuance of the recorded venue, pages being turned in the orchestra pit, or a guitarist tapping his feet while playing. Not so much a soundstage as the actual stage being reproduced.


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